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Other Ways to Create Proxies Faster Step for Creating Proxies As soon as you click OK, it's going to send the files over to Adobe Media Encoder, and it's going to begin encoding them.

Choose the option to put the files next to the original media in a proxy folder.

Now, when you go to create proxies in Premiere, you click the Ingest Preset button and go to the location where the Ingest Presets are stored-this is the location where you want to go to point Premiere.

Check that Transcode Files to Destination box because that's going to actually create the proxies. Name it, and use the word "ingest" in your title so it's easy to identify.

Now, you will create an Ingest Preset. Go to the Preset Browser and click the plus button to create an Ingest Preset.

Under Bit Rate, you can really choose anything, but you can probably go as low as 2 or 3.

You'll see some compression artefacts for sure, but that's not a big deal because you're going for speed, not super quality. Uncheck Match Source and change the resolution from the default 4096 x 2160 to 1280 as the width.You want to create much lower-resolution proxies. Do not select this option because you don't want to create full-resolution proxies. Usually, when you create a custom ingest preset for the first time, you will have the option to "Match Source High Bit Rate".Include the word "proxy" in your name so you can easily identify it. In the Preset Browser, choose Create Encoding Preset and name your file. To create a Custom Ingest Preset, you need to open Adobe Media Encoder, where you'll click on the + button.If you're shooting Cinema, that should be 1280 x 674. If you are shooting Ultra HD, that's going to be 1280 X 720. Instead, create a custom preset that is 1280 in the horizontal and then whatever the vertical resolution is relative to the original file. You can choose QuickTime or H.264 if your system can handle it, but avoid the stock H.264 presets, which aren't very good.Go to your footage in your Project panel and right-click > Proxy > Create Proxies.Using a proxy file-a smaller file-will make the editing performance much faster and use less processing power.

High-quality source footage like H.265 or H.264 in ultra HD, or even higher resolutions, demands a lot of hardware power and speed during the editing process, but you don't really need to work with the full-resolution files when you're editing. Video proxies are created to stand in for raw footage during the editing process. A proxy is a duplicate of a project's source footage that is smaller and lower-resolution than the high-resolution original.